sidi larbi cherkaoui stylistic features

 

Cherkaoui’s initial pieces were made at Les Ballets C de la B – Rien de Rien (2000), Foi (2003) and Tempus Fugit (2004). The rising star in British dance has a strong YouTube presence – we pick out the best. It was quite hard for the monks to teach me their movements, because they were young and not experienced. He had an innocence about him but he was very smart, very playful and inventive. Sidi Larbi Cherkaoui is also associate artist at Sadler’s Wells, London. It began to remind me of one of my own pieces and it became a world of make believe that I could relate to. When I first showed them the boxes and explained what I wanted they were very eager. But contemporary dance was very new to them, and they found that more difficult to learn, because it was less defined. (1976- ) Sidi Larbi Cherkaoui fuses various techniques – including hip hop, modern, jazz, ballet, Irish, African and kathak – into his own choreographic style. Our November issue features an exclusive interview with Belgian choreographer Sidi Larbi Cherkaoui, who told us all about choreographing the Broadway musical Jagged Little Pill. Throughout her work, some themes recur: human frailty and brutality, the power and the pity of personal relationships (particularly between men and women), the blind force of desire, the desperate veneer of normality (she often dresses her performers in formal gowns and suits, representing a … Credits: 1. But the monks don’t relate their sense of self to the words of others. Sometimes I was scared that the travel might contaminate them in a negative way but it’s part of their training to deal with the world. From 2004–2009 Cherkaoui was based in Antwerp as artist in residence at Toneelhuis, which produced Myth (2007) and Origine (2008). But I absorbed a lot of kung fu just by osmosis. What other projects are you involved in now? In fact he created one of the great successes of his career. Sidi Larbi Cherkaoui and artists of The Royal Ballet in rehearsal for Medusa, The Royal Ballet, Sidi Larbi Cherkaoui in rehearsal for Medusa, The Royal Ballet, Natalia Osipova and Sidi Larbi Cherkaoui in rehearsal for Medusa, The Royal Ballet, Credited with His awards include two Oliviers, three Ballet Tanz awards — the latest last year — and the Kairos Prize. Both were set on atoning for sins, and for psycho-socio-political baggage potential they're equally matched - Cherkaoui, half Belgian, half Moroccan, and Shechter, Israeli but London-based. Then I introduced them to the idea of working with Antony ’s design. I’ve been a vegetarian for over 20 years, I don’t drink or smoke, so the simplicity of their life was very good for me. - Set - Architectural spaces, favours, manipulative sets. Judith Jamison. Hide Show resource information. Dong Dong sat in the top in the middle and it was immediately Buddha sitting on a lotus flower. Join the Company as they rehearse Sidi Larbi Cherkaoui's first work for The Royal Ballet. He came to me because his wife [Anoushka Shankar] had taken him to Faun [Cherkaoui’s 2009 re-creation of the Nijinsky ballet L’Apres midi d’un Faune] and he liked its sensuality and theatricality. And the older monks have been very happy, knowing that the younger ones were bringing their insights back to the temple. Another image, the lotus flower, was a magical accident. He combines this function with his title as artistic director of Eastman and keeps creating new work along with the artistic entourage of this company, for example Qutb (2016), a trio commissioned by Natalia Osipova, the operas Les Indes Galantes (2016) for the Bayerische Staatsoper and Satyagraha (2017) for Theater Basel, Icon (2016) for GöteborgsOperans Danskompani and Mosaic (2017) for Martha Graham Dance Company. How did that come about? Between 2007 and 2008 Sidi Larbi Cherkaoui spent several months at chilly high altitude in the Henan province in central China. His 2008 "bahok" alternated nights with "Zero Degrees," a must-see 2005 collaboration created and performed by definitive choreographer/dancers Khan and Sidi Larbi Cherkaoui. They organised themselves immediately to build up the sets. In 2010, Sidi Larbi Cherkaoui partnered with Indian born dancer Shantala Shivalingappa, whose work is based on the graceful style of Kuchipudi, a South Eastern Indian dance. I have a new work PUZ/ZLE which is coming to London. The Belgian choreographer was also looking for a new direction in his own choreography. In New York one critic complained that I’d allowed Sutra to become too show-bizzy at the end, because the monks all started doing their special kung fu tricks while the audience applauded. In most ballroom scenes you see the waltz as all spinning and circles, but there is usually something quite static too, especially in the arms, which are fixed in one position. Sidi Larbi Cherkaou’s style can best be summed up with the single word eclectic. Everything they do is very beautiful, although some of it could actually break your arm. ©FilipVanRoe- Fractus V by Sidi Larbi Cherkaoui 7 man with triangle. Dong Dong is still in the piece but he’s one of the older ones, he’s taller than me now! I analyse movement all the time, it’s what I do. - Sutra, Sidi Larbi Cherkaoui. 5.0 / 5. The pair produced Play, a cross-cultural piece that juggles between theatre, chess … About. Sidi Larbi Cherkaoui, 41, has created more than 50 choreographic pieces. Between 2007 and 2008 Sidi Larbi Cherkaoui spent several months at chilly high altitude in the Henan province in central China. There was an incredible quality of serenity. Back in 2007, when you first visited the Shaolin temple, what were your immediate impressions? ... ICDSB Characteristic Features. In the winter it was too cold for me, the monks don’t have heating. They wanted to see how other people live. You also perform in Sutra, which in some ways seems to be about your own journey into the Shaolin culture, and kung fu. But even with these outside elements the first thing I noticed was the calmness and discipline at the temple. Often I took my lead from him, but all the stories came out of improvisation. The work has got shorter and sharper, as the new monks have come in and learned the material. At our first meetings, we spoke about their culture, how their kung fu discipline connects with the outside world, and the way they relate spiritually to animals and the environment. They were very abstract in themselves but they could be arranged in different constellations so that they represented different things, like a forest, a boat, a graveyard, even the monks themselves. They don’t care about the reviews we get, which I envy. Cherkaoui had fallen in love with kung fu when he was a child, awed by the high- flying kicks, shadowboxing and somersaults that had made blockbusters of the movies of Bruce Lee. Once Sutra was made, and on the road how well did the monks adapt to the life of the touring dance company? One spiralling move was lovely in thin air, but when I did it with one of the monks, it pulled me almost on to the floor. Helping to bring these multifaceted moves to life was Sidi Larbi Cherkaoui, a 42-year-old dancer and choreographer of Flemish and Moroccan descent. He has been a lecturer at UCLA, Bard College and California State University. I used ten dances from my company Eastman to experiment. Due to the ongoing effects of closure at the Royal Opera House, information about artists is only updated periodically during this time. ?genesis for Eastman (2013), Boléro for Paris Opera Ballet (2013), Harbor Me for L.A. Dance Project (2015), Firebird for Stuttgart Ballet (2015) and Fractus V for Eastman, in which he also performs (2015). Watch LIVE: The Royal Ballet rehearse Medusa on 23 April 2019. Sidi Larbi Cherkaoui. I’m also working on a tango piece with some dancers from Buenos Aires. Antony Gormley’s design seems to have been a miraculous part of that process. Since Sutra you’ve made many other works, and been involved in many other projects – including choreographing for Joe Wright’s 2012 film of Anna Karenina. Sidi Larbi Cherkaoui For their selected set work students must know and understand: the significance of the character of the dance the subject matter (eg theme or topic) of the dance and its treatment the form of the dance (eg phrases, sections) and its effectiveness in For me their attitude is lovely. It wasn’t exactly as I had imagined. It was like when my brother and I used to play with Lego. Sidi Larbi Cherkaoui Belgian contemporary dance / interdisciplinary creation / Les Ballets C. de la B. If I read something about myself I believe it, however disastrous it can be for the image I have of myself. Learn vocabulary, terms, and more with flashcards, games, and other study tools. When I was thinking how to develop these boxes into images and stories the monks were very quick to pick up on the idea. Royal Opera House 2018/19 Season announced. Eastman – Sidi Larbi Cherkaoui — Fractus V, 27 & 28 October, Sadler’s Wells, London. The production is directed and choreographed by Sidi Larbi Cherkaoui and Damien Jalet, and dressed in designs by Iris van Herpen. Choreography and I’m not as hardy as them so I spent the nights in a hotel room, further down the mountain. He’d gone there to live and work with the monks from the Shaolin temple, absorbing the ancient traditions of their martial arts discipline kung fu, and hoping to collaborate with them on a new piece of dance theatre. By that point in the work I don’t have any control over them, they’re just doing what comes naturally. They told me this was natural, as the Shaolins have always been on top of new technology. This award-winning collaboration with artist Antony Gormley and the Shaolin monks continues to tour the world to great critical acclaim. Going on retreat to the Shaolin monks was partly to give himself time out, but also, as he said, to look for “a new way of expressing myself, a new place to be”. He has worked with a variety of theatres, opera houses and ballet companies. What was your response to the project? But they wanted to see Big Ben and all the tourist sites. Perhaps it has lost something, because the new team haven’t gone through the process of creating it, but they are still very curious about the movement and they treat it very seriously. I analyse movement all the time, it’s what I do. Sidi Larbi Cherkaoui is also associate artist at Sadler’s Wells, London. Did you and the monks always agree on how the work should develop? Because he had the imagination of a child, he didn’t need to ask why we did something, he just did it. The youngest of them, Shi Yandong who we call Dong Dong, was just 11 and he was wonderful. 18 April 2019. His … Moroccan-Flemish SIDI LARBI CHERKAOUI is best known for his work with Les Ballets C. de la B. while AKRAM KHAN is world renowned for developing his own 'contemporary Kathak' style… Since then he has made more than 50 pieces and won several awards, including two Olivier Awards, three Ballet Tanz awards for best choreographer (2008, 2011, 2017) and the Kairos Prize (2009) for his artistic vision and his quest for intercultural dialogue. If I can understand how people move I understand how they are and after a few weeks of watching and directing the monks, I started trying to do some of their moves myself. We put the boxes in a particular constellation, in circles and allowed them to fall back into a spiral. It’s very beautiful, set on a mountainside, and when I was with the monks I always got the sense that they were exactly where they were supposed to be. After his first commissioned piece in North America, Orbo Novo (Cedar Lake Contemporary Ballet) and a series of duets including Faun (first performed at Sadler’s Wells as part of In the Spirit of Diaghilev) and Dunas with flamenco danseuse María Pagés (both 2009), he launched his own company Eastman, resident at deSingel International Arts Campus (Antwerp). In a short space of time Cherkaoui had gone from small scale talent to global name and the speed of that journey had been exhausting. As Buddhists it’s important for them to gain more knowledge of humanity. Characteristics of Sidi Larbi Cherkaoui's style. And I wore a hat and gloves while I was rehearsing. Before they came into the temple most of them had seen very different kinds of dance around them in China. At the beginning I didn’t try. In the temple I had the space and time to deepen that aspect of my personality. Arms are my thing, and I wanted to give them the same flow as the rest of the body. They said they only needed need humble rooms and when I discussed with them what kind of space they would need for warming up and rehearsing, they laughed and said they could just go for a run in one of the parks. I felt less scared of the idea of doing a film when Joe made the decision to shoot Anna Karenina as though it was in the theatre, as a series of scenes. Find out more about the performance and about Cherkaoui’s work: www.sadlerswells.com. It’s been such a pleasure. 0.0 / 5. Khan and Larbi first met in 2000 when they quickly discovered strong similarities […] Joe knew from the start that he wanted to make the film something like a ballet, because of the novel’s Russian origins. We apologise for any inconvenience caused. This openness was good for me because it meant the monks were receptive to my ideas. If I can understand how people move I understand how they are and after a few weeks of watching and directing the monks, I started trying to do some of their moves myself. Before Sutra was premiered in London I talked with them about what it would be like. It’s been wonderful to show them New York, Spain, New Zealand, places like these. At first I had been unsure of what I could do for the ballroom scenes in the film. Belgian choreo- grapher Sidi Larbi Cherkaoui’s “Sutra” is a spectacle in the true sense of the word. He knows Sutra inside out. The world is not short of choreographers who have set out to shake up the classics of ballet, © The Dance Consortium   Charity Number: 1130289   Company Number: 6179223, Joe knew from the start that he wanted to make the film something like a ballet, because of the novel’s Russian origins. Since 1999, he has made more than 20 fully fledged choreographic pieces and picked up a slew of prestigious awards. Home > A Level and IB study tools > Dance > Characteristics of Sidi Larbi Cherkaoui's style. They wanted everything to go faster. It’s a very physical piece, about man’s changing relationship with rocks and stones. In August 2008, Sidi Larbi Cherkaoui received the title of Outstanding Choreographer of the Year by Ballettanz – the European dance journal – and its committee of forty dance critics from all over Europe for his work across 2007-2008. I found that funny because that was completely the monks’ choice. As we’ve toured to other places one of the great pleasures for me has been seeing the monks deepening their experience of the outside world. It was what I was interested in. Has Sutra changed in any way over the last five years? Some of the younger, more physical monks were very interested in hip hop and street dance Some of the more naturally elegant monks were interested in classical ballet. Yes he had the idea of making the set of Sutra a number of large, wooden boxes. Eastman & Sidi Larbi Cherkaoui Puz/zle London, Sadler’s Wells 24 April 2013 Puz/zle Gallery by Foteini Christofilopoulou – 20 pictures www.east-man.be www.sadlerswells.com. The monks get up at six for a warm-up jog, and I did a yoga session in my hotel room from about 7.30 before going up to the temple. In 2008 Cherkaoui created Sutra, which had its premiere at Sadler’s Wells. But otherwise I felt very at home. I told Joe there were people who knew much more than I did about 19th century dances like the waltz and mazurka. The Royal Ballet and Royal Opera's programme for the coming Season include world premieres, major new productions and classic revivals. But at the moment I’m very happy to be spending time with Sutra again. SUTRA - Sidi Larbi Cherkaoui + Shaolin Monks - 少林功夫 - Sadler’s Wells Theatre - 佛经 on Vimeo. - Lighting - at times is used to manipulate the audiences' perspective of … Lots of movies list a choreographer in the credits, but few boast dances that could hold their own on the stage. What they didn’t care about were the living conditions. Londoner Khan, born to Bangladeshi parents, and Flemish-Moroccan Cherkaoui's pleasuring style and virtuosity tempers their sociopolitical agenda. The same year, Cherkaoui assumed the role of artistic director at the Royal Ballet Flanders, where he has created Fall (2015), Exhibition (2016) and Requiem (2017). Premiere: 8 July 2005, Sadler’s Wells, London Last performance: 27 April 2008, City Center, New-York An exciting collaboration between Akram Khan and Sidi Larbi, this is an opportunity to see these remarkable artists working with sculptor Antony Gormley and composer Nitin Sawhney. In the same year, Sadler’s Wells, London, named him an Associate Artist. It’s not the same team performing it. Some of the monks have left the temple, some have just stopped performing. Commissioned by Ardani Artists and the Segerstrom Center, “Solo for Two” offered choreography by the esteemed Ohad Naharin of Batsheva Dance Company in Tel Aviv, the elegant Belgian Sidi Larbi Cherkaoui and the lesser-known South African-born Arthur Pita, a former dancer with Matthew Bourne. They weren’t exactly excited; they live too much from day to day. Set concept and design, © 2021Royal Opera HouseBow StreetCovent GardenLondonWC2E 9DD, Book onlineTickets for upcoming events are only available online, Royal Opera House Covent Garden Foundation, a charitable company limited by guarantee incorporated in England and Wales (Company number 480523) Charity Registered (Number 211775), Tickets for upcoming events are only available online, Royal Opera House 2018/19 Season announced. But I was surprised by how familiar certain moves felt to me. Puzzles and riddles: Eastman and Sidi Larbi Cherkaoui's Puz/zle at Sadler's Wells By Katja Vaghi , 29 April 2013 Among productive and successful choreographers, Sidi Larbi Cherkaoui distinguishes himself for variety: in projects, from film collaborations to the Cirque du Soleil’s arena, and in the cultural sources used for his work. Throughout his … There was a flipping of the shoulders they did, like a dolphin, that I’ve used in my own choreography. Physical Setting. Start studying Sidi Larbi stylistic features. They like to be very clear about it. Belgian choreographer Sidi Larbi Cherkaoui made his choreographic debut in 1999 with Andrew Wale’s contemporary musical, Anonymous Society. News and features. His works since then include Babel(words) (2010), a collaboration with Damien Jalet and Antony Gormley that won an Olivier, duets Rein, Play and Bound (all 2010), TeZukA and Labyrinth for Dutch National Ballet (2011), the Olivier-award winning Puz/zle (2012), choreography for Joe Wright’s film Anna Karenina (2012), 4D and ? This months as it embarks on its first UK tour I talked to Cherkaoui by phone about a work that is still close to his heart. How did you set about creating Sutra with the monks? In a vast library, where time seems to have frozen, life goes on in the deluded assumption that nothing will ever change. Pelleas et Melisande You are in the run-up to the opening of Opera Vlaanderen’s production of Pelléas et Mélisande, which will feature video work by you in a set designed by Marina Abramović. If I wasn’t so busy with other projects I’d like to perform Sutra even more. Last week it hosted two of the big names of contemporary dance theatre, Sidi Larbi Cherkaoui and Hofesh Shechter. Stylistic Features …11 Antony Gormley …12 Szymon Brzóska …13 Shaolin Martial Arts …14 CREATIVE PROCESS AND COLLABORATION …17 Sidi Larbi Cherkaoui – Direction & Choreography …18 Antony Gormley – Visual Creation & Design …21 But he said he wanted a contemporary approach, the freedom of a new creation. Zero Degrees is a remarkable collaboration between four of today's most respected artists. He undertook parallel projects that both expanded and consolidated his artistic vision; d’avant (2002) with longstanding artistic partner Damien Jalet at Sasha Waltz & Guests company and zero degrees (2005) with Akram Khan. In 2015, Cherkaoui directed his first full-length theatre production, Pluto at Bunkamura in Tokyo, and was movement director for Lyndsey Turner's Hamlet at the Barbican. How difficult was it for you to learn to pick up the monks’ movement style? ©FilipVanRoe- Fractus V by Sidi Larbi Cherkaoui 25 men altogether in pile. - Long standing collaboration with sculptor Antony Gormley. Created in 2008, it features monks from the Shaolin Temple in China, as well as sculpture by the well-known British artist Antony Gormley and a score, played live, by Polish composer Szymon Brzóska. How much European movement did the monks absorb from you? Back in 2007 he’d just emerged from a frantic phase of his career, launching his own company after leaving the Brussels theatre collective Les Ballets C de la B; and touring the world with the British choreographer Akram Khan in their acclaimed duet, Zero Degrees. Choreographer Sidi Larbi Cherkaoui achieves a high-wire balancing act between different media, ideas and angles, at the same time as juggling the eclectic styles of his diverse performers. They love it and they are very spontaneous. 0.0 / 5. How did you relate to the religious discipline? With designs by the artist Antony Gormley and music by the Polish composer Szymon Brzóska, Sutra has travelled the world since its 2008 premiere. Back when paper was first invented, they adopted it very quickly. Rambert Dance Company: Rooster: Independent Contemporary Dance Scene: Sutra: You will need: - A dance folder - Lined paper - A notebook - Dance kit ... the stylistic features of the area of study and how these relate to the genre the choreographic approach (the particular technique, movement style and choreographic This opens in a new window. But as an adult his interest shifted more towards the philosophy underpinning the form – the idea that all living creatures are part of a universal energy and that the movements of kung fu are a means of channeling that force. Sidi Larbi Cherkaoui’s Sutra has been one of Sadler’s Wells’ most popular and successful productions, returning earlier this month for a fourth run. Some jumps looked more like jazz to me than kung fu. The movement reveals Mr. Cherkaoui’s distinctive physical style: extreme flexibility that conveys a boneless slipperiness melded with street dance with more formal techniques. I’ve always been someone who’s looked for serenity inside myself, even though it’s not a quality that’s useful in this hectic world. I would never have guessed that this experiment we did in 2008 would go on to have such a life. When the monks were all sitting in one box it suddenly felt like something to do with a boat, and crossing the ocean. That distinction was crucial for director Joe Wright, though, because his Anna Karenina takes place on the stage. Looking back at some of the wonderful moments in Dance Consortium history. Influences from all over the world can be seen in any one of the pieces he choreographs including Asian, hip hop, modern, jazz, ballet, Irish, African, and kathak. I really flourished. Join the Company as they rehearse Sidi Larbi Cherkaoui's first work for The Royal Ballet. But they were always very curious about what I was doing, and respectful of it. After performing for 20 years I had stopped enjoying the audience and the applause in that simple way, and they’ve given that back to me. Michael Eric Robinson (born 11th March 1956) is an American composer and musicologist. What they react to is the audience and the applause. He came to me because his wife [Anoushka Shankar] had taken him to Faun [Cherkaoui’s 2009 re-creation of the Nijinsky ballet L’Apres midi d’un Faune] and he liked its sensuality and theatricality. Later, he made a trilogy of duets in which he was counterbalanced by a very different presence: Belgian dancer Sidi Larbi Cherkaoui in the masterful … I wasn’t there to become a monk or a martial artist, exactly, but to develop a relationship with the Shaolins. Influenced by jazz, Indian classical music, Western classical music, rock and pop, he has composed over 400 works, releasing over 100 albums over the course of his life to date. They were very interested. A lot of the monks were young, about 21 or 22 , and they were talking on mobile phones, they were allowed pop music and an internet connection was close by. It’s always such a pleasure performing with the monks, they have such a straightforward approach to being on stage. 2. I’ve always been someone who’s looked for serenity inside myself, even though it’s not a quality that’s useful in this hectic world. Ten years is a long time for a dance production to run, but Sidi Larbi Cherkaoui's Sutra, an athletic, meditative spectacle featuring 19 Shaolin monks and a malleable set of 21 wooden boxes (designed by Antony Gormley) is still striking a chord with audiences worldwide.To celebrate the milestone, Sutra is returning to Sadler's Wells, where it all began. Was it difficult for you to adapt to the physical discipline of the monks’ life? Somehow in his new work Cherkaoui wanted to combine the exhilarating beauty of kung fu and the resonance of its spiritual culture. Him but he said he wanted a contemporary approach, the lotus flower in 2008 would go to... Was rehearsing my thing, and Flemish-Moroccan Cherkaoui 's first work for the Royal Opera House, information about is! Last year — and the older ones, he ’ s changing relationship with rocks and stones disastrous it be... The boxes and explained what I do of Sutra a number of large sidi larbi cherkaoui stylistic features! Thinking how to develop these boxes into images and sidi larbi cherkaoui stylistic features the monks, they have such a straightforward approach being! As them so I spent the nights in a hotel room, further down the mountain stories out. Me because it was less defined College and California State University October, Sadler ’ s Wells theatre 佛经. 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