All of Bourne’s choreography has an intricate fluency, so full of ideas that it is hard to absorb. Rather than warring families, this is a tale of young people pitched against the system (brutal guards, cold parents, oppressive rules) and all you need to know is that the system is bad. It’s only later, sneaking out after dark, that their passion finds full expression in a wonderful duet where their lips lock and their bodies swoon into one another, barely breaking contact. Tickets to Matthew Bourne's Romeo and Juliet: New Adventures on sale now! Romeo (Paris Fitzpatrick) arrives, the awkward newbie, callow and terrified, to be affectionately initiated by Mercutio – danced on Saturday night by the charismatic Ben Brown, dramatically brought in to cover Reece Causton, who was injured during Friday’s show. For tour venues and tickets click here. Thanks to Bourne’s now legendary choreography and direction, the production is set to be a huge summer hit. of. It’s a Manichean view, but that’s how it seems when you’re young. Matthew Bourne’s Romeo and Juliet is a passionate and contemporary re-imagining of Shakespeare’s classic love story. This is something that choreographer Matthew Bourne understands. 22 Mar. In Bourne’s work, the ensemble can sometimes feel as if they are dancing on a grid. Two young people who feel huge, glancing emotions for the first time collide straight into each other, brushing up against the tyranny and injustice of authority in the process. At Sadler’s Wells, London, until 31 August. For tickets and information click here. WORLD PREMIERE. Presented by New Adventures, Matthew Bourne’s Romeo and Juliet will open at Curve Leicester on 13 May 2019 as part of a UK tour of 13 venues including a four-week summer season at Sadler’s Wells in August 2019. Romeo and Juliet connect at a dance where sexual energy crackles through the air; when the guards leave the room, the inmates abandon formal moves for dirty dancing, grappling with longing. Matthew Bourne's Dance Film Romeo & Juliet. Entering their fourth decade as a company, this New Adventures production is an urgent and brutal drama directed for screen by Ross MacGibbon and filmed at Sadler's Wells. The result is freshness and dynamism. Dance. It repaid rewatching. The piece is, from beginning to end, stunningly danced, with Braithwaite making Juliet shine with determination and vigour, and Fitzpatrick endowing Romeo with a lovely, dreamy innocence. Bourne has cast young dancers, some still in training, and worked with a 22-year-old associate choreographer, Arielle Smith. As ever, Bourne tackles the classics on his own terms, with clever twists and hijacks of the plot (plus a few holes). Bourne gives you the hits.The setting is some sort of institution or asylum, a clinical place of shiny white-tiled walls (which reflect the moving traces of the dancers) and regimented fear. It will also be in cinemas nationwide from October 22, 2019. The energy this produces is visible on stage. Romeo and Juliet’s friends huddle excitedly for a debrief the morning after, like Grease’s Summer Nights. And it’s not a pretty sight. Cordelia Braithwaite’s Juliet is potentially a more complex character, subjected to abuse (off stage) by one of the guards (a menacing Dan Wright). Even if they’re living in a dystopia such as Mats Ek’s Romeo & Juliet or in the tougher boroughs of New York in West Side Story, the essential lineaments of the story of young lovers kept apart by the forces of society around them will remain the same. Matthew Bourne’s production of Romeo and Juliet was filmed live at Sadler’s Wells during its 2019 World Premiere National Tour, with thanks to Birmingham Hippodrome, Bradford Theatres, Curve Leicester, Mayflower Theatre, Theatre Royal Plymouth and Sadler's Wells. Matthew Bourne’s Romeo and Juliet – to be screened in cinemas across the UK and Ireland from Tuesday 22 October (running time 93mins): Dancers and Orchestra of the New Adventures company / Brett Morris (conductor). Matthew Bourne's Romeo and Juliet is a passionate and contemporary re-imagining of Shakespeare's classic love story. When a drunken Tybalt arrives, you know tragedy is on its way. The staid school disco shifts to full-on raunch when the adults leave the room; Davies’s treatment of the score is incredibly effective here. But it’s also a story of teenage angst. Matthew Bourne at Sadler's Wells again this summer! 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