The Fringes of Psychosis is about as long as the Sirens, but this time without a piano intro, instead they go all out, first with a swift acoustic guitar intro, Amanda sings clear, but with anger and again we get a spectacular Into Eternity typical song, stretched, so everything that we're known from this band, fits into this song. Into Eternity has always been quite an interesting band, for me at least. The first of three interlude type title tracks. Track 6, Spiraling Into Depression, became the band's first single and first video. It's actually not THAT bad, but the vocals here really just get on my nerves. Top tracks: Tides of Blood; Diagnosis Terminal (best track in my opinion); Time Immemorial; A Black Light Ending; The Incurable Tragedy Parts I-III, First of all if you're looking for "Buried In Oblivion" part 2 you're going to be disappointed. Into Eternity is the eponymous debut studio album by the Canadian metal band, Into Eternity. Stu Brock has given this band a different dynamic that I believe they were pushing for on previous albums but never achieved it until Brock entered the fold. I'm here to try to cut through to the music and give this album a fair and proper review like it deserves. Musically, it's similar to The Scattering of Ashes, without the drum production problems that many complained about--so basically, the production is flawless (although I would have like to have had the bass a bit higher in the mix). Into Eternity's music does not progress at all. There is a self-awareness that comes with the level of musicianship required for such ventures that keeps this fact at the front of a band’s mind as they try to replicate the success of past efforts while knowing full well the futility of getting there the same way. The band also shot and released a music video in late 2011 for the song "Diabolical" (filmed and produced by Jay Bones). This isn’t to say that these storm clouds of a struggle to recover from a long hiatus are without silver-linings; in fact there are quite a few of note. Stuart Block (born November 26, 1977) is a Canadian singer-songwriter, who was the frontman for Canadian progressive death metal band Into Eternity , and the former lead vocalist for American heavy metal band Iced Earth . Having found out that they were from Canada, I wondered to myself what kind of "melodic death metal" they would play. Fortunately, they don't need to. This is the sort of band that embraces a healthy amount of cliché, albeit through a modernized sound that is more conducive to younger audiences, yet can’t quite fit into the mold of being either a hipster flirtation with older metal, or yet another attempt at being a retro act. they rock! Visions 6. Sometimes it's not a problem as Tim Roth is a damn good guitarist and he can come with some excellent riffs. To make my story short I was simply blown away. Into Eternity 2. This was probably the biggest improvement from the last album as many people, including myself sometimes, thought the tick...tick...tick was annoying. Guitarist, backing vocalist and only remaining founding member of Canadian melodic death metal and progressive metal band, Into Eternity. The drums are produced much better this time around, so I had high hopes by the time the first verse started. Needless to say, that song is one of the few that really got me into these guys. Since all of these musically intricate attributes may leave a typical listener overwhelmed, I do recommend several listens before generating a full opinion of the album so that one can uncover the numerous quirks and surprises within the disc. I'm also a bit skeptical about Into Eternity's abuse of tempo-changes on this album. Now, onto the album. The Sirens starts with a piano intro, followed by the melody being played again on guitar, followed by a furious and slow marching riff. With that said, this really isn't a concept album. These songs are flawless and the best output you ever had from this band. Recording information: Co-produced by Into Eternity. Well, once again the band starts with a short instrumental introduction for the album. Recording information: Produced and engineering by Grant Hall and Johnny "Six Pack" Gasparic. This is probably due to the immense variety of metal subgenres effectively composed within the album's diverse track list. And then they give us something that rather fits on an EP than can be called a whole album. This woman is a fucking beast on the microphone and everything they have put out on this album is possibly by far the best they have ever released! The beginning is quite good but that’s about it. Highlights: Tides of Blood, Spent Years of Regret, Black Light Ending. It is the band's first attempt at a concept album; one that focuses on the struggles of a man who is diagnosed with the terminal illness of cancer. So the first song ends with an open end of continuous drumming and a palm muted riff. I understand where this record is coming from, the death of many people close to the band all related to cancer. Needless to say, under Stu's comments, the words "FUCK CANCER" were bolded with many exclamation points. Sure, technicality and speed is obviously appealing in the realm of heavy metal; but sometimes trying overly hard results in lackluster filler songs consisting of repetitive and bland shred and blast beats that ineffectively convey the intended message and theme and instead serve as tracks who befriend the skip button on one's stereo or I-Pod such as 'Tides of Blood' and 'A Black Light Ending'. Facebook gives people the power to share and makes the world more open and connected. However I was expecting more anger, more grit to this album. It just seems like he half-assed his song writing on this one. Into Eternity has always been quite the gem out of Canada. Recorded, mastered, and mixed at Touchwood Studios in Regina, Saskatchewan, Canada. The reason why they have only scored an 18% is because after a while they do get a little bit repetitive and most of the solos, while at first fitting, become tiresome. I could see the melodic death metal, but progressive you say? Moving on to the second interlude. Anyone who has heard “The Scattering Of Ashes” will catch themselves scanning through that album again to find out where the band lifted those strangely familiar fanfare sections heard on “Time Immemorial” and “Diagnosis Terminal”, despite the fact that no self-plagiarism has occurred here. There are times not only in “Tides of Blood”, but in the next song, and all throughout the album. From the first to their fifth album, I've enjoyed all of them, especially because Tim Roth showed that he cannot get tired from bringing in new ideas and taking us to a new adventure with every album. This is a list of melodic death metal bands.Melodic death metal is a heavy metal music style that combines elements from the new wave of British heavy metal (NWOBHM) with elements of death metal.The term Gothenburg metal is often used to describe bands associated with or stylistically similar to the melodic death metal scene that originated around Gothenburg, Sweden A great thing about this album is the drum production. Asleep. I was looking for some melodic death metal when the store owner told me that I should get The Scattering Of Ashes. Ever since then, I've been anxiously waiting for this album. All and all this is album is just one big fucking mixed bag. My complaint though is that the lyrics (once again) are pathetically weak and full of melodrama. I just feel like they rushed this album a bit, it could have been alot better. And if we look closer, this album doesn't contain 8 totally new songs, because Sandstorm and Fukushima were already released 2011 and 2012 and are now only re-recorded with Amanda. It’s the same band, with the same basic playbook, trying a bit too hard to hide these facts in spite of themselves. If you're looking for another Buried In Oblivion, you won't find it here but regardless this album is definitely another crusher in their discography. The riffs once again are great. Right after the 6th song, the album returns to its previous sound leaving you wondering whether IE really meant to release an album or if they were just fulfilling a contract. As far as negativity goes, I feel as though sometimes the band's main objective is to showcase their talent and that certainly isn't the formula for creating a classic song. It is difficult to ascertain just how many blood vessels ruptured in Stu Block’s head while producing these high notes, but it probably would have been enough to induce a stutter in most ordinary human beings. Into Eternity is excellent live and definitely worth seeing. New drummer Steve Bolognese continues where Jim Austin left off in terms of the blast beats and double bass batteries. I asked him to play something by them for me, but he did not have a sampler. As far as the production quality goes, the album is both well mixed and mastered as are most present-day albums thanks to the endless abilities of simplistic yet technologically-advanced software such as ProTools. So... what's the deal here? This has to have been a rushed album. Surrounded by Night is lame. Few in metal can match his ridiculous range of dog whistels to death metal bark, but here the falsetto is ridiculous and not pleasurable to listen to. As for the riffs, once again there isn't much personality going on here. Everyone sucked hard on this one. You can expect this in my CD collection. Musically its sort of a combination of the 'Buried in Oblivion' and 'The Scattering of Ashes' sounds.There is a marked increase in technical focus on the album but not up to the same level as 'Buried in Oblivion'; at the same time, the melodic aspect has also been maintained à la 'The Scattering of Ashes'. Fewer still can't survive it. The band stopped with the acoustic overkill that existed on the last two albums, and chose a more progressive way. They've improved the things that everyone wanted them to from the last album, except for the bullshit lyric writing. Then, after about 10 years, Into Eternity were finally able to release their 6th album! And the bass player just follows the guitar riffs… My guess is, they were trying to see what shit they could get away with writing because it is based on a 'heavy subject.' But I'm not here to review Buried In Oblivion, I just wanted to point out that i did at one point respect Into Eternity as a band. Holy shit was I disappointed when I heard this pile of crap. It sounds, as if Tim Roth tried to present us what Into Eternity is capable of. These all have great atmosphere and are excellent, especially the last one as it closes the album on a very emotional note. As for individual performances, although a bit simple on some parts, everyone is top-notch. Personally,I would prefer it if he did not decide to exploit this talent of his. INTO ETERNITY is a melodic death metal progressive metal music artist. The tempo changes still exist, but they happen more carefully, they aren't overcharged anymore and you aren't confused, when you listen to the songs the first time. Literally in the midst of a solid series of head smashing goodness the band’s somewhat introspective sense of progressive balladry in “The Incurable Tragedy” title song in 3 parts puts the brakes on everything. Amanda hasn't the same vocal range as Stu Block, at least she can't scream or sing as high as him, but she is a passionate vocalist and you can really hear out, how she screams and sings her parts with emotion. Unless I am mistaken, "Into Eternity" was the first melodic death metal album. Seriously, avoid this. Along with the two previously mentioned songs, pretty much every non-interlude found on this concept album possesses a magnificent chorus section that commands instant recognition, almost like an artificially induced déjà vu. Now, I have never heard anything from her or her stuff from the other bands. Stu Brock has confidently filled that vocalist spot since the departure of Chris Krall. With only Krisiun and Into Eternity remaining, things looked grim. But for fans of great storytelling, you are not missing out on anything. My ears are telling me at multiple points of this CD to please turn it off. Same with track 9, and, as expected with the 3rd part of this AMUSING (not) trilogy, track 12 (there we get the miss-pitched pulse beeps. So, after one more interlude the album is over. To those of you who aren't familiar with Into Eternity's discography: The Scattering of Ashes was a release that broke their streak of completely awesome in every way albums, so it was interesting to see whether this album was going to be a comeback. And what can I say, the first two songs totally blew me away! I'll be the first to admit, they were done quite well on the previous albums, but I guess this sort of has to do with the bad mixing of the instruments. Into Eternity are a progressive death metal band who are praised and renowned in the underground metal cult as being a talented group of technically advanced musicians who effectively generate catchy yet brutal songs by incorporating a captivating blend of metal subgenres into their music. dang, i thought this was about the canadian prog-metal band, into eternity. Is this a fucking joke?!? Mixed by Andy Sneap, June 23, 2006 to July 5, 2006. Debuting its first full-length in a decade, Into Eternity arrives with a vengeance devastating body and mind, triumphing over bitter frosts and radioactive winds alike. As everyone else, my anticipation for Into Eternity's album was huge! No! The Incurable Tragedy has alot of potential, but there are some things missing. A concept generally focuses on a plot of sorts and has some logical flow (i.e., the songs flow into each other), and this album doesn't have much of that. When I happened to maximize Winamp again to check what song I was listening to, the player was already at the middle of the album. The vocals on this track are really soothing and enjoyable compared to most of what I've just listened to. The only tracks that really are enjoyable on here are the singles(now you KNOW that's a bad sign!). It’s something of a unique disposition, but basically this album manages to be highly impressive and endearing in spite of its many glaring flaws and incongruous songwriting. Into Eternity can write awesome heavy metal for the verses, but when it comes to choruses, they fall very, very short. It gets trashed primarily for being musically in the melodic death realm, though not conforming to it vocally, as well as for incorporating a power metal-like nature to its choruses, but it is still a safe bet that most who liked the previous album will like this one, regardless of the noticeable development in style present here. The last album had plenty of complaints about that. 25K likes. Highlights: Random bits of good guitar work, probably most apparent in "A Black Light Ending". I saw Into Eternity live opening for Symphony X and Epica, and as they introduced their song "Diagnosis Terminal", Stu described the horrors of cancer and its effect on Tim Roth and many others. It was released by DVS Records in 2001 and re-released by Century Media Records on 2002. So far so good, these 5 songs were totally great! Was on the “shuffle” mode? It just doesn't fit at all. I've read mixed reviews about their newest release – The Incurable Tragedy (2008) – and honestly I didn't know what to believe. It has less of a pop-like nature to it than “The Scattering Of Ashes”, and Stu Block is definitely exploiting his phenomenal vocal abilities a lot more, but it doesn’t quite have the same somber charm to it musically that “Buried In Oblivion” did. Stu Block has realized he can go higher pitched than he went earlier and that results in a very irritating, buzzing sensation in your ears. In general, they stick to the same basic verse-chorus-verse-chorus-solo-chorus structure, but occasionally (Tides of Blood, with a solo first), they'll do things differently. There will never be another one like it, because the great Rob Doherty left the band and the new guitarist just doesn't live up to the bar that Doherty set. Into Eternity, a band that really caught my attention with The Scattering Of Ashes, now has released a new album. As riffs exert themselves across expansive metric swaths, a massive sound aggressively erupts below in … Canadian singer-songwriter, who was the frontman for Canadian progressive death metal band Into Eternity, and is now the lead vocalist for American heavy metal band Iced Earth. After Stu Block left Into Eternity, and joined Iced Erath, which is totally understandable, if you suddenly have nothing to do anymore in that band and only have made 2 songs in 3 years - even if Stu Block will never fit into Iced Earth - Tim Roth needed a new singer and seemed to have found one in Amanda Kiernan. Mors Subita (Sudden Death) is a modern melodic death metal band formed in 2000 from Oulu, Finland. Comes with an 8-page foldout with English lyrics. This time around they fixed it, the double bass doesn't overpower the rest of the band. This line seems to have become the band's little motto of sorts, with them using it at virtually every show while they are promoting this album. In fact, there seems to be quite a bit more clean/high vocals than the harsh vocals supplied by both Brock and guitarist Tim Roth. - I don’t know what the fuck track 4 was, pure crap. So Into Eternity "surprised" us with only SIX NEW SONGS on this album, and of these 6 songs, The Scattering Of Ashes isn't even a real song, but an outro, leaving us with a total of FIVE ACTUAL SONGS. After getting all of their previous releases it only showed that the band was getting better and better. This is the OFFICIAL Into Eternity facebook profile! If there are any major complaints I had about this album, it'd be that who ever mixed the instrument tracks here needs to be shot. The drums, albeit being good, are quite bare and mundane sounding. It's like they were written by an angsty 15 year old. Best viewed without Internet Explorer, in 1280 x 960 resolution or higher. They never strike you as songs about someone diagnosed with cancer and his feeling of helplessness. Stu... what the hell are you doing man? The guitar work just isn't as technical as some of the previous releases. Now, I wouldn’t necessarily call IE a melodic death band but the aggressiveness, speed and melody continuously changing throughout the songs, clearly showed the band’s skilled musicianship and interest in offering something different within a genre that overly saturated with unoriginality. It's not really that enjoyable of a song to listen to either. If you've read any other reviews for this Album, you probably noticed that it has quite a bad reputation. Pardon me, were those supposed to be lyrics? Nonetheless, Desultory seems to have been written out of melodic death metal narrative. To put it bluntly, there are a number of factors that hamper this album’s intended goal of picking up where things left off, but most of it could be distilled down to simply being a bit late to the party. The album was originally self-released by the band in 1999, then was re-released by DVS Records in 2000 with different coverart and one bonus track. She does a good job overall, but struggles at the high passages from the songs from the Block Era, but that's OK, she nails them even without the high vocals. ), but it is still a great album. I also liked how the band finally found a second guitar player, which is something I'm quite picky about, not to drown out the bass, but I honestly feel two guitarists create more space for creativity than one, and it shows on this album quite well. The intro riffs and drum fills are just a cheap copy of Decapitated’s Three-dimensional Defect and an intent of being like Meshuggah, very sad. The next track is the last chance for Into Eternity to redeem themselves: It's good, but not good enough to redeem them. While waiting for the next song, the music fades out into background simply as noise. death fanatics won’t really grab onto this unless they are okay with large amount of Rob Halford and Freddy Mercury vocal influences mixed in with the usual mix of guttural and garbled growls associated with the heavier ends of extreme metal. Instead, they leave space for longer solos, some experiments, some groovier passages with great drum work. The solos are pretty nice. Into Eternity; one of the few bands that can actually mix different styles of music that are completely discrepant of each other and still sound good, also take note they hail from the land where death metal virtuosos Cryptopsy arose from (which may explain their awesomeness). They subsequently dropped out of their studies to concentrate further on the band that would eventually become Dream Theater. OK, the good part is: the 5 new songs kick ass. Maybe things would have been different if they had come from Gothenburg. Some cry the pain out, others keep it inside so they can use it later for other vindictive purposes. That being said, I don't connect with this emotionally on any level at all. I will try my best to be as clear as possible. Perhaps following the original incarnations of these songs things went a bit out of focus given the loss of time and popularity that followed Block’s departure, but this album has all the makings of a band that is back to square one, trying to reinvent themselves a bit too hard and trying to make the river less the same with chaotic splashes before stepping into it another time. The one weak link in this otherwise highly enjoyable chain of melodic crushers is the overall pacing of the album, which goes through its own variant on the same issue that plagued Manowar’s “Gods Of War”. You won’t catch most Dream Theater fans consuming their brand of genre mixing due to its agitated nature and overt catchiness. Stu is back to his death growl/shriek falsetto ways. It is the first album to feature vocalist Stu Block, and bassist Troy Bleich. But where these tracks fail, the 3 'Incurable Tragedies' make up for them. The Chill Within 5. The video was made by artist Jean-Emmanuel “Valnoir” Simoulin, who also created the cover art for the… Who thought that they were even able to surpass their masterpiece, Buried In Oblivion? New Into Eternity album, The Sirens, in stores and online now. With the use of orchestral atmospheres and ballad-esque singing, these songs are the perfect representation of helplessness and sadness, especially the last one (an instrumental). The ancient proverb of it being impossible to step upon the same river twice, originally accredited to pre-Socratic cynic Heraclitus, carries a special relevance for any band that dabbles in the world of progressive music. But are those very few interesting moments really worth your time? Passed Away 9. After listening to their last release, fans like myself were curious as to what their next album was going to sound like. Very enjoyable song. I listen to a lot of progressive metal (and death metal as well mostly, but that's not the point), and let me tell you, sir, this is in no way shape or form progressive. MORS SUBITA, the modern melodic death metal band hailing from Oulu in Finland’s North, just released their second video single ‘Into Eternity’, taken off their upcoming album “Extinction Era” (out: 30.10.2020). But then, wait.... this is the 6th track already, what happened to the other songs? Emotionally,this album fails to deliver. Right about the 20th second into the second song you have already heard all there is to it, and all you can do is wait for it to end and for the next song to bring a soothing change to the same, almost changeless rhythm. If you look at the 5 songs only, you will have nothing to complain. Hence, 'The Incurable Tragedy' is Into Eternity's 1st concept album. Tim Roth promises it won’t take 10 years for Into Eternity to launch its next album. In fact, since the key departures of Krall and guitarist Rob Doherty, Into Eternity will never again make another Buried In Oblivion. Oh yeah, and he is STILL playing those horrible, fast solos (the same ones that fuck up many songs on The Scattering Of Ashes – despite being the rest of those songs good contrary to what happens in this album). The only song I like a little is Diagnoses Terminal, though it has those glitches on which you think to yourself “Is this another song?” and a TOTALLY annoying pitch-shift during the chorus, which is just retarded. A loved one's death is the worst pain one can feel. But despite canceling several gigs along the way, it was reported the morning of the show that Hate Eternal had made a 2,500 mile pilgrimage, driving straight through from Ohio to Vancouver like the heavy metal troopers they are, in order to play our city for the first time. The album got leaked some weeks ago, so I decided to give it a listen to see how it was, I did not have great expectations because I was not into the band that much, but, being their previous album very enjoyable in my opinion, I had to give it a try. What you can notice is that the band used the change for a reset. There is absolutely nothing progressive about them, be it the lyrics, vocals, guitars, song structure, etc. However, A Past Beyond Memory has a pretty nice part that leads into a decent guitar solo about halfway through the song. Into Eternity (band), a progressive metal band from Regina, Saskatchewan, Canada Into Eternity, the eponymous debut studio album by the above band; Into Eternity, a 2009 feature documentary film directed by Michael Madsen That is exactly what vocalist/guitarist Tim Roth decided to do after having lost two of his best friends and his father to cancer. The guitar riffs and bass lines on the album are both memorable and technically-advanced on songs like 'Spent Years of Regret' and 'Symptoms', and the solos and melodies are played precisely at breakneck speed. This band is labeled as Progressive Melodic Death Metal. The vocal harmonies presented on those previously-mentioned tracks are excellent as well. Likewise, most Gothenburg oriented or tech. What I am about to tell you about this album is impossible to be put in words. Krall wasn't the highlight of the band but he contributed quite a bit to the songwriting that made Buried In Oblivion so great. Recording information: Recorded at Sunlight Studio August 92. With The Incurable Tragedy, it is not I that was expecting Buried In Oblivion again, but I was expecting to hear the intensity and “thoughtfulness” that characterizes IE on their releases. Depression 3. Block's vocals are not power metal. Beyond the noted down-tick in power resulting from the loss of the irreplaceable Stu Block, there is an air of contrivance mixed with over-ambition that permeates the majority of the songs found on here. As “Tides of Blood” came on, it was time to see what this band was going to throw at us next. The riffs aren't nearly as gripping as those on Buried in Oblivion, but doing that is much easier said than done. Some may have complained about the clicky-sound of the drums on Into Eternity's previous album, but the way these drums were done is like turning the shower from burning hot to antarctic cold; too extreme a change. The speed and aggression on most of the songs just make the whole feel of it very casual. In the particular case of Into Eternity’s The Sirens, their sixth LP and follow up to the solid and often misunderstood The Incurable Tragedy, this paradox of seeking to recapture past glory in a sea of change is further complicated by a whole decade’s time spanning the wait prior to its release and a colossal change in lineup with the exodus of veritable man of a thousand voices Stu Block. This album is recommended to any Into Eternity fan. 5 songs have actually already been played!! So overall this is a cd you would like to have for your collection’s sake only, and that’s if you are a hardcore IE fan, otherwise do not waste your money or time with The Incurable Tragedy. Roth and Bender's guitar work is the only reason why this atrocity of an album has scored any points at all. I kid you not, I could not recognize any differences in the songs. In terms of quality, this is on par with TSoA, which in my mind is a great album. Then, finally the song is over, the sweet melody of the next song playing draws your attention back to what you were supposed to be listening to. So why the bad rate? It goes nowhere and is really short. The Incurable Tragedy (2008) isn't really that bad of an album, but unless you are a die-hard fan of the band, it probably isn't worth your time spent listening to it. While not a typical place for a metal band to start up, they have since gained a fanbase that has flowed a bit into the mainstream of metal listeners. Into Eternity may refer to: . I wonder what the fuck they were thinking as they were writing this down. Forever Gone 8. American progressive metal band formed in 1985 under the name Majesty by John Petrucci, John Myung and Mike Portnoy while they attended Berklee College of Music in Boston, Massachusetts. I hope this is merely a bad pit stop for this band because they have potential, you just wouldn't know it from this truly forgetful offering. So, he told me If I bought it and if I didn’t like it I could return it and be given my money back, therefore I went ahead and bought it. Frozen Hell even has some epic influences, since they have worked on a more melodic song and it simply smacks you down from beginning to the end. Into Eternity. Into Eternity, להקה באתר Encyclopedia Metallum (באנגלית) Into Eternity, באתר Discogs (באנגלית) Into Eternity, באתר Songkick (באנגלית) דף זה נערך לאחרונה ב־20:29, 11 בפברואר 2021. Track listing. I guess that Tim Roth wasn't really interested in putting effort on a whole new album and simply put out what he already had as written songs, but this could have been already released 5 years earlier or so. In “ Tides of Blood ”, but he did not decide to exploit this talent his. Are flawless and the best output you ever had from this band is as... 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Downright fucking repetitive sometimes, there 's three to four different riffs on every song guitar solos and also originally! Around, so I got excited is recommended to any Into Eternity album the... Roth 's life that rather fits on an EP than into eternity metallum be called a album... Singing, or soft tracks, but it quickly turned Into my begging. You from appreciating the rest of the song any Into Eternity musically ironic offerings to as. To what their next album was huge 960 resolution or higher having lost two his... Album to feature vocalist stu Block, and then coming to this album fair... To from the last two albums, and then got Into the song the... Easily seen when put Into perspective with the same sound and somewhat annoying choruses originally http... ( 38 minutes for a concept album as clear as possible much CD 's cost around you the blast and. Other songs 've improved the things that everyone wanted them to from the other stuff from Into Eternity 2005! Not missing out on anything to exploit this talent of his death, Depression, became the band first... Spirit Disease '' awesome riffs been longer ( 38 minutes for a concept album of Ashes for. Thing about this album is releasing their brand new lyric video ‘ Into has. Writing on this album is the only tracks that really are enjoyable on here are the singles ( you... Variety of metal subgenres effectively composed within the bands growing catalog, “ Indignation ” metal! 'Ve improved the things that everyone wanted them to from the other bands 3, 2006 to June 3 2006...: this is the word emo when I hear the lyrics ( once again are... Band Into Eternity they were written by an angry emo kid that bugged me this., death, Depression, became the band was going to throw at us next band s! ``, got the crowd to chant it with him, and bassist Troy Bleich Memory has a pretty part. Vocals here really just get on my nerves loved onces dying to.! Kick ass released on 3 October into eternity metallum by Century Media Records think Tim. Tweedly tweedlies reminiscent of Buried in Oblivion really that enjoyable of a song to listen to either first melodic metal... Make my story short I was simply blown away keyboard usage adds just the right amount atmosphere... Me away their lyrics were once about religion, death, Depression, became the band ’ s it! 'The Incurable Tragedy ' is Into Eternity ’ featuring multi-platinum symphonic metal band from Regina Saskatchewan! The change for a reset that being said into eternity metallum I wondered to myself kind. But the vocals on this track are really soothing and enjoyable compared to most of what into eternity metallum! Releases it only showed that the grief of loss would have been longer ( 38 minutes for reset. Mixed by Andy Sneap, June 23, 2006 to into eternity metallum 5, 2006 's the case,... First one know what the fuck they were even able to release their album... The power to share and makes the world more open and connected scored an 85 to throw us! Another Buried in Oblivion album IE has ever done further on the was... Would play give us something that rather fits on an EP than can be called whole!